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Monday, November 30, 2015
Painting Tutorial: Black Templars
As I was wrapping up my year-long project to convert all the Space Hulk Terminators from Blood Angels into Black Templars, I decided to document my painting process. I've been collecting space marines since about the year 2000, and while the names of the colors have changed over the ages, my process has remained pretty much the same. Here's a tutorial you can follow for painting quick and easy Black Templars:
Formula P3 Colors: Thamar Black Rucksack Tan Moldy Ochre Menoth White Highlight Morrow White Sanguine Base Skorne Red Khador Red Base Cygnus Yellow Pig Iron Cold Steel Quick Silver
Other Paints: Secret Weapon Soft Body Black Wash Koh-I-Noor Black India Ink Liquitex Transparent Burnt Umber Ink (aka Brown Ink) Testors Dull Cote
Start by spraying the model with black primer. Next, mix Thamar Black with Fang Grey and drybrush the entire model. The intention is to keep the mix very dark, but bring out the highlights in the model. Finally, mix a little more Fang Grey into the black and paint highlight lines along all the sharp edges. The mix should never get bright enough that it's straight Fang Grey; the intention is to create a black model with subtle highlights, rather than a grey model.
Once the black armor is finished, basecoat all of the areas to be white, bone, or parchment, with XV-88. Try to keep it clean, but don't sweat any minor brush strokes into the black area; those can be touched up later. The XV-88 brown creates a nice under layer so you aren't painting the brighter colors over straight black. When building up these colors, make sure each layer dries thoroughly so you don't pull up the paint when applying the next layer.
Basecoat the parchment with Rucksack Tan, and the skulls, crosses, wings, and shoulder pads with Screaming Skull.
Build up some highlights on the parchment with Moldy Ochre, and Moldy Ochre with a little Screaming Skull mixed in for the brightest highlights.
Basecoat the white areas (shoulder pads, wings, and crosses, but not the skulls and Crux Terminatus) with Menoth White Highlight.
Then, wash the skulls, parchment, wings, and crux with a mix of Brown Ink and XV-88. Be very careful to keep the wash controlled so it doesn't run onto the brighter white areas.
Bring the highlights back up on the parchment with Moldy Ochre and hit the edges with a little Moldy Ochre and Screaming Skull. Use a fine brush to carefully paint some Brown Ink into the recesses and folds of the parchment and add a slightly darker glaze if the highlight color gets too bright.
Highlight the bones and wings with Screaming Skull and a mix of Menoth White highlight. The bones and crux should stay "bone colored," so do not take their highlights up to straight Menoth White Highlight. But the wings should be highlighted up to straight Menoth White Highlight. You can also touch up any messy parts on the shoulder pads. As with the parchment, use a fine brush and straight Brown ink to paint in the lines on the crux and between the feathers of the wings.
Finally, highlight the bright white areas with Morrow White– The wings, shoulder pads, and Templar crosses.
Once you are satisfied with the white and parchment areas, use Thamar Black to touch up any spots where the color ran into the black armor. Carefully paint the black cross on the shoulder pad, and add some highlights with a mix of Fang Grey and black. Paint the cables with straight Fang Grey.
For the writing and litanies on the armor, use a fine brush and straight Morrow White, thinned with a little water so it flows smoothly. Simulate writing by painting a series of squiggles, dots and dashes. For the writing on the purity seals, the name, and the black writing on the shoulder pads, use India Ink. I recommend India Ink because it's more opaque than a black ink or wash, and will stay fluid in your brush much longer than black paint. If you find it too black, you can cut it with some Brown Ink. It should be noted that the India Ink dries shiny, but that can be taken care of by spraying the model with a matte finish.
Next, move on to the red bits. For the red lenses in the eyes, paint the eye with a 50/50 mix of Sanguine Base and Skorne Red. Then paint the bottom half of the lens with Khador Red Base. Add a highlight spot of Morrow White at the top of each eye. Finally, clean up the shape of the eye by painting black around the edge and touch up the grey highlight if necessary.
Paint the wax purity seals and red cables by basecoating them with Sanguine Base and layering highlights with Skorne Red and Khador Red Base. Paint the two lights in the back using a spot of Khador Red Base and a spot of Cygnus Yellow.
Next, spray the model with Testors Dull Cote to flatten out the color and eliminate any shine from the inks. Then move on to painting the metals; this will allow the model to have a flat, matte color while the metals maintain their metallic sheen. Paint the gold details with Hashut Copper, highlight them with Auric Armor Gold, and then wash them with Brown Ink.
Basecoat the other metal details (including the small rings where the cables attach) with Cold Steel. Basecoat the metal parts of the storm bolter with a mix of Pig Iron and Thamar Black to keep the weapon a dark gunmetal.
Wash the Cold Steel areas and the grey cables with Soft Body Black Wash. Once it is dry, drybrush the thick hoses on the arm with a little Cold Steel, and use a small drybrush to carefully drybrush some highlights on the gunmetal with Pig Iron. If there are any sword or knife blades, highlight them using Cold Steel and Quick Silver for the edges.
Paint some Soft Body Black Wash into the areas between the armor where the segmented joints are visible to create a differentiation between the flat armor plates and the shiny rubber under-suit. (Note that a GW washes like Nuln Oil won't work for this technique because they dry matte rather than shiny.)
For the sensor lenses above the head, paint the lens and ring with Cold Steel and wash it with Soft Body Black Wash. Then, paint the lens using the same process used on the eyes. Just put a red dot in the lower, tiny lens. Do this for any gems on the icons and pendants, as well.
With the model finished, you can base it to match your army aesthetic, and he's ready for the tabletop!